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Ayanlaayo iHorror: 'Awọn iwọn ẹjẹ: Awọn itan Ibanuje' - Apa 'Ẹgbẹ Iku' - Awọn Ifọrọwanilẹnuwo.

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Awọn ipele ti Ẹjẹ: Awọn itan Ibanuje - Apa “Ẹgbẹ Ọjọ Iku.”

Oludari - Justin M. Seaman

iHorror: Did you have a master plan of how you wanted everything to play out with this segment or did you just “go for it?”

Justin M. Seaman: It was a very much just “go for it” shoot. I had very little initial control over the segment as I didn’t write it, cast it or choose my locations which was something I had never dealt with before in my filmmaking endeavors. It was a challenging yet welcoming terrifying task. So my master plan was to go into this and try to do the best I could with what I was given and make it feel like my own. Luckily, the casting department did wonderful with their selections, so that made things much easier for me.

iH: Where did filming for your segment The Deathday Party ṣẹlẹ?

JMS: In Owensboro, KY. We shot this segment back in May 2016 in the same house as a few of the other segments (Fear for Sinners Here, Bloodbath, Killer House).

iH: How many days did you shoot for? And did you face any challenges while filming?

JMS: It was about 36 hours over 2 days. There are always challenges with indie filmmaking, but one of the biggest challenges for me was that I was the only director that didn’t live within a close driving distance. I live near Pittsburgh, PA which was almost an 8-hour trip. That meant if I didn’t complete my segment by the end of the weekend more than likely someone else would have to step in to finish it. Another challenge was being constrained to just the kitchen and basement because they were both very small areas that made it hard for a lot of people to hide off camera. Another issue was the house set directly beside a really busy road that created plenty of noise pollution throughout the shoot and a neighbor just had to weed whack the yard that day and when I say weed whack the yard I mean just that- he had no lawn mower, so he literally walked across the entire yard with a weed whacker to cut his grass…thanks, guy! On the plus side, the crew members were wonderful, and they made it an enjoyable experience.

iH: awọn Deathday Party contains a lot of dark humor, I was disgusted yet tickled at the same time, did the cast hit their lines and scenes right on the nail or was their challenges because of the material?

JMS: I am a mega fan of ‘Tales from the Crypt’ which sometimes featured this sort of content. So when I read this particular script, it reminded me of that, and I could relate to it. That’s kind of how the actors and I decided to go with the corny/odd married couple approach because it is a very bizarre tale. I had plenty of discussions before shooting some of the scenes with the cast were I told Jay Woolston and Cindy Maples (John and Almeda) to let loose and give me some variations to pick from for the edit. So YES, they did hit the nail on the head several times and several different ways, and I enjoyed editing the segment even more because of that. The entire cast was awesome, and they gave it their all. I hope to work with some of them again on other projects.

iH: Do you prefer directing an anthology or a full-length film?

JMS: I would say I prefer doing full length features more, just because there’s a longer format to just one story as opposed to several shorter ones. I also enjoy dramas with character development with story arcs and sometimes that’s not possible to do in 10-15 mins stories. But I enjoy both for various reasons.

iH: How did you initially become involved with this project?

JMS: From my gathering, P.J. Starks was trying to assemble a team of up and coming filmmakers for this project who had films that were current. He happened to see a post on Fangoria about my film Abà, and we got to talking about my potential involvement in the sequel. I was interested because I like to work on projects with people who have comradery towards other filmmakers and PJ seemed like that sort of guy too. Someone who knew the struggles of indie filmmaking and wouldn’t be quick to judge or criticize others work, so that drew me into VOB2. I was able to read over and select from three completed scripts Iwẹ ẹjẹAkoko kikọ sii ati Ẹgbẹ Iku. I chose ‘Deathday’ because it seemed the most challenging to take on in a two day period plus it had the most action, disturbing gore and also would require a cast of seasoned actors.

iH: What are your top five favorite horror films?

JWS: (1) Ẹgbẹ aderubaniyan, (2) Alẹ ti Awọn ẹmi èṣu, (3) The Return of the Living Dead, (4) Alẹru, (5) A alaburuku Lori Elm Street.

iH: What future projects are in the pipeline for you?

JWS: I am a producer/director alongside Awọn Barn's Director of Photography Zane Hershberger on a new creature feature horror anthology called Kirisita.  I will also be directing a segment for Rocky Gray’s 10/31/16. Both should be out by the end of 2017.

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A24 Ṣiṣẹda Titun Action Thriller “Ikọlu” Lati 'Alejo' & 'O wa Next' Duo

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O dara nigbagbogbo lati ri isọdọkan ni agbaye ti ẹru. Ni atẹle ogun idije idije kan, A24 ti ni ifipamo awọn ẹtọ si awọn titun igbese asaragaga film onslaught. adam wingard (Godzilla la. Kong) yoo ṣe itọsọna fiimu naa. Oun yoo darapọ mọ alabaṣepọ ẹda igba pipẹ rẹ Simon Barret (Iwọ ni Next) gege bi olukowe.

Fun awon ti ko mọ, Wingard ati Barrett ṣe orukọ fun ara wọn lakoko ti wọn n ṣiṣẹ papọ lori awọn fiimu bii Iwọ ni Next ati Guest. Awọn ẹda meji jẹ kaadi ti o gbe ẹru ọba. Awọn bata ti ṣiṣẹ lori awọn fiimu bii V / H / S, Blair Witch, Awọn ABC ti Iku, Ati Ọna Ibanuje lati ku.

Ohun iyasoto article ti jade ipari fun wa ni opin alaye ti a ni lori koko. Botilẹjẹpe a ko ni pupọ lati tẹsiwaju, ipari pese alaye wọnyi.

A24

“Awọn alaye idite ti wa ni ipamọ labẹ awọn ipari ṣugbọn fiimu naa wa ni iṣọn ti Wingard ati awọn kilasika egbeokunkun Barrett bii Guest ati O wa Next. Media Lyrical ati A24 yoo ṣe ifowosowopo. A24 yoo mu idasilẹ agbaye. Fọtoyiya akọkọ yoo bẹrẹ ni Igba Irẹdanu Ewe 2024. ”

A24 yoo ṣe agbejade fiimu naa lẹgbẹẹ Aaroni Ryder ati Andrew Swett fun Aworan Ryder Company, Alexander Black fun Media Lyrical, Wingard ati Jeremy Platt fun Ọlaju Breakaway, Ati Simon Barret.

Iyẹn ni gbogbo alaye ti a ni ni akoko yii. Rii daju lati ṣayẹwo pada nibi fun awọn iroyin diẹ sii ati awọn imudojuiwọn.

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Oludari Louis Leterrier Ṣiṣẹda Fiimu Horror Sci-Fi Tuntun "11817"

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Louis Letterrier

Gegebi ohun kan article lati ipari, Louis Letterrier (Crystal Dudu: Ọjọ ori ti Resistance) ti fẹrẹẹ gbọn awọn nkan soke pẹlu fiimu ẹru Sci-Fi tuntun rẹ 11817. Letterrier ti ṣeto lati gbejade ati dari Movie tuntun naa. 11817 Ologo ni a kọ Mathew Robinson (Awọn kiikan ti Liing).

Rocket Imọ yoo mu fiimu naa lọ si Cannes ni wiwa ti onra. Lakoko ti a ko mọ pupọ nipa kini fiimu naa dabi, ipari nfun awọn wọnyi Idite Afoyemọ.

“Fiimu naa n wo bi awọn ologun ti ko ṣe alaye ṣe pakute idile mẹrin kan ninu ile wọn lainidii. Bi awọn igbadun ode oni ati igbesi aye tabi awọn pataki iku bẹrẹ lati pari, ẹbi gbọdọ kọ ẹkọ bi o ṣe le jẹ oluranlọwọ lati yege ati ijafafa tani - tabi kini - n jẹ ki wọn di idẹkùn…”

“Awọn iṣẹ akanṣe itọsọna nibiti awọn olugbo wa lẹhin awọn ohun kikọ nigbagbogbo jẹ idojukọ mi nigbagbogbo. Sibẹsibẹ eka, abawọn, akọni, a ṣe idanimọ pẹlu wọn bi a ṣe n gbe nipasẹ irin-ajo wọn, ”Leterrier sọ. "O jẹ ohun ti o dun mi nipa 11817's patapata atilẹba Erongba ati ebi ni okan ti wa itan. Eyi jẹ iriri ti awọn olugbo fiimu kii yoo gbagbe. ”

Letterrier ti ṣe orukọ fun ara rẹ ni igba atijọ fun ṣiṣẹ lori awọn franchises olufẹ. Rẹ portfolio pẹlu fadaka bi Bayi O Wo Mi, Iṣiro Alaragbayida, Figagbaga ti The Titani, Ati Awọn Transporter. O ti wa ni Lọwọlọwọ so lati ṣẹda ik Sare ati ẹru fiimu. Bibẹẹkọ, yoo jẹ ohun ti o nifẹ lati rii kini Leterrier le ṣe ṣiṣẹ pẹlu diẹ ninu awọn ohun elo koko-ọrọ dudu.

Iyẹn ni gbogbo alaye ti a ni fun ọ ni akoko yii. Bi nigbagbogbo, rii daju lati ṣayẹwo pada nibi fun diẹ ẹ sii iroyin ati awọn imudojuiwọn.

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awọn akojọ

Tuntun si Netflix (AMẸRIKA) Oṣu yii [Oṣu Karun 2024]

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atlas movie Netflix kikopa Jennifer Lopez

Osu miran tumo si alabapade awọn afikun si Netflix. Botilẹjẹpe ko si ọpọlọpọ awọn akọle ibanilẹru tuntun ni oṣu yii, awọn fiimu olokiki tun wa ti o tọsi akoko rẹ. Fun apẹẹrẹ, o le wo Karen Black gbiyanju lati gbe ọkọ ofurufu 747 wọle Papa ọkọ ofurufu 1979, tabi Casper Van Dien pa awọn kokoro nla ni Paul Verhoeven ká Sci-fi opus Starship Troopers.

A ti wa ni nwa siwaju si awọn Jennifer Lopez Sci-fi igbese fiimu Atlas. Ṣugbọn jẹ ki a mọ kini iwọ yoo wo. Ati pe ti a ba ti padanu nkankan, fi sii ninu awọn asọye.

Le 1:

Airport

Bìlísì kan, bọ́ǹbù kan, àti ọ̀nà ìgbẹ́kẹ̀gbẹ́ ń ṣèrànwọ́ láti ṣẹ̀dá ìjì pípé fún olùṣàkóso ti pápákọ̀ òfuurufú Midwwest kan àti awakọ̀ òfuurufú kan tí ó ní ìgbé ayé aláyọ̀.

Papa ọkọ ofurufu '75

Papa ọkọ ofurufu '75

Nigbati Boeing 747 ba padanu awọn awakọ rẹ ni ijamba laarin afẹfẹ, ọmọ ẹgbẹ kan ninu awọn atukọ agọ gbọdọ gba iṣakoso pẹlu iranlọwọ redio lati ọdọ olukọ ọkọ ofurufu kan.

Papa ọkọ ofurufu '77

Afẹfẹ 747 ti o kun pẹlu awọn VIPs ati aworan ti ko ni idiyele lọ silẹ ni Bermuda Triangle lẹhin ti o ti ji nipasẹ awọn ọlọsà - ati pe akoko fun igbala ti n lọ.

Jumanji

Awọn tegbotaburo meji ṣe awari ere igbimọ ti o wuyi ti o ṣii ilẹkun si agbaye idan - ati tu ọkunrin kan silẹ laimọ-imọ ti o ti di idẹkùn inu fun awọn ọdun.

Hellboy

Hellboy

Oluṣewadii ẹmi-eṣu-idaji kan ṣe ibeere aabo rẹ ti awọn eniyan nigba ti oṣó ti a yapa kan darapọ mọ awọn alaaye lati ja ẹsan ti o buruju.

Starship Troopers

Nigba ti ina-tutọ, ọpọlọ-siimu idun kolu Earth ati ki o obliterate Buenos Aires, ohun ẹlẹsẹ kuro ori si awọn ajeji 'aye fun a showdown.

o le 9

Bodkin

Bodkin

Awọn atukọ ragtag ti awọn adarọ-ese ṣeto lati ṣe iwadii awọn ipadanu aramada lati awọn ewadun sẹyin ni ilu Irish ẹlẹwa kan pẹlu dudu, awọn aṣiri ibanilẹru.

o le 15

Apaniyan Clovehitch

Apaniyan Clovehitch

Ìdílé ọ̀dọ́langba kan tí ó jẹ́ àwòrán pípé ti ya sọ́tọ̀ nígbà tí ó ṣàwárí ẹ̀rí àìdánilójú ti apànìyàn kan nítòsí ilé.

o le 16

igbesoke

Lẹhin mugging iwa-ipa fi i silẹ ni rọ, ọkunrin kan gba ikansinu kọnputa kan ti o fun laaye laaye lati ṣakoso ara rẹ - ati gbẹsan rẹ.

aderubaniyan

aderubaniyan

Lẹ́yìn tí wọ́n jí wọn gbé tí wọ́n sì gbé e lọ sí ilé ahoro kan, ọmọdébìnrin kan gbéra láti gba ọ̀rẹ́ rẹ̀ sílẹ̀ kó sì bọ́ lọ́wọ́ ajínigbé tó ń ṣe wọ́n.

o le 24

Atlas

Atlas

Oluyanju atako ipanilaya ti o wuyi pẹlu aifokanbalẹ jinlẹ ti AI ṣe awari o le jẹ ireti rẹ nikan nigbati iṣẹ apinfunni kan lati mu roboti apadabọ kan bajẹ.

Jurassic World: Idarudapọ Theory

Ẹgbẹ onijagidijagan Camp Cretaceous pejọ lati ṣii ohun ijinlẹ kan nigbati wọn ṣe awari iditẹ agbaye kan ti o mu eewu wa si awọn dinosaurs - ati si ara wọn.

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